I have to second the GPA recommendation of Aaron's. I made this pair of speakers several years ago, dubbed "Josephine," after an old ragtime tune I've got on 78.
It used the GPA 212-8A and they had nice sound even from the stock crossover once they were broken in. I ultimately concluded that if I worked with coaxes again it'd be the 604 from GPA.
The 212 had a rising response up to 16k that bothered my young ears, and from peripheral experience with the 604 I gather that its a bit smoother, but still needs some smoothing in the 2-4k region to work truly well. (That anomoly was something that old studio engineers trained themselves to actually "listen through," funny enough.
All that said about the 604, I have kept in touch with the customer for the Josephines over the years and he says they've just gotten better an better over time. Also, the staff (Bill) at GPA was a pleasure to work with.
I do have to go on record to say that I've heard a fair share of Tannoy's all the way down to their $600/ea studio monitors and all the way up to the Westminster Royal HE's and even their new $60k offering. Though it is a nice point source, and decent all around, they've just never been my cup of tea. The Altec style coax design has it down. the 604 was the most sold studio monitor driver until the mid 70's IIRC. The GPA's are very well made I believe on alot of the original Altec tooling.
Cheers!
-Clark