Thanks everyone for the input! Yes, that really does sound like a VERY cool project and should sound AWESOME with that speaker! My thing is,the older I get the harder it is to get up and down! Vinyl is worth the effort but couple that with having to connect and disconnect two two three extra boxes EVERY time you want to clean your system, (and if your anal like me that's at least once a week!) you start to wonder about simplifying your system! Let's not even get started on shopping for the right cables to allow your system to sing or the massive expense thereof. Add together the price of a Bottlehead phono stage a line stage (of which all of the inputs, bar one, would go unused by me) the amp and three sets of interconnects and you are talking about not a small amount of scratch! Some may say talk of divorce may not be out of the question! Then you search for Integrated tube gear online and a couple of Chinese companies keep popping up with magazines and customers alike calling them "product of the year" "Golden Ear Award" which by the way is hard to get, and for $2800.00 you have the flagship model of their highly acclaimed, albeit Chinese piece of crap and best of all IT'S ONE BOX! I'm sorry, I can't force myself to believe the Chinese are the ONLY ones who can do it and have so many going ga-ga over it! In kit form, good point you had, The transformer would be no problem at least not as big as a lot of stuff I would never use but have to pay for, not to mention all of the unnecessary circuitry in the signal path. Although the Chinese crap still has all the stuff I don't need in it too! I look at it this way, for at least the last five years I have been drooling over Bottlehead gear, reading all of the great things about it from EVERYONE and I know they're not all wrong and I think, HEY! These guys make magic and music EVERY day, wouldn't I sooner turn to them for what I need and not the Chinese? Who else would you guys recommend? I mean, who knows more about circuitry, signal paths component interactions and what not? Steve Deckert has some interesting new ideas about push pull amps and their superior control over single driver speakers, especially on loud complex passages, things I noticed myself years ago. I don't know if it's the extra power ( probably not) or the affect of the feedback or the way pentodes handle the signal or a combination of the latter two (partly what I think) but on large orchestral stuff or hard rock your ears don't lie, more musical info escapes the speakers, ALWAYS a GOOD thing! What do you Guys think?