It's been a while since I've posted on my Eros. At first it was only used for NAB but as my tape machine needs some work, it has moved over to RIAA usage. I've got two other great phono stages of which I feel blessed but in the last 3 months the Eros has been the only one in use. If you haven't heart this circuit and are looking for a great sounding stage, one could live happy with only the Eros. There is nothing it does wrong to my ears and I'm continually satisfied by what it extracts from my ever growing vinyl stacks. I could compare and write all that audio mumbo jumbo but in the end it comes down to what makes you happy and gets your toes tapping. The Eros does it for me!
Mine as this thread shows is configured a little differently with RIAA and NAB 7.5 for 4 track R2R tapes. Tube wise it's wired for the 6BR7 tube and I'm running a Gold Lion 6922 hand selected by Jim McShane for low noise and balanced sections. I selected the 6BR7's (out of 30) for low noise and great tone. Try doing that with a few of the other vintage tubes without breaking your wallet
System wise in the photo the Pioneer Exclusive P3 has been in exclusive (no pun intended
use since it arrived. It has the lowest noise floor of any table I've personally heard or could afford. It's the closest to a CD noise floor I've ever experienced if that gives an idea of how low it seems to me. My other two tables are collecting dust and probably will be until they find new homes. I alternate between a JICO MM-1 cart and the Lyra Kleos. The amps are rebuilt Heathkit UA-1's (EL84 PP). They were purchased for a still pending pair of Quad ESL 57's but really do perform well with the Altec Model 19 speakers.