I've been recovering from having my wisdom teeth all yanked out well after the normal age one has that done (i.e., teens or early twenties), so I've been passing my time with my soldering station and breadboards. I actually have started on a guitar Quickie - but this is proving a bit challenging.
As for the basics, I basically bridged the pair of inputs to mono off the potentiometer. I popped out one of the RCA outputs and put a mono headphone jack in there, and the other RCA out is simply paralleled to it. If I want to use phones, I have a Speco wired to the phone jack, and a switch to cut it out of the circuit if I'm using the RCA output into an effects stack (to avoid loading things down). Then, I've played around with different arrangements to see how much distortion I can get. Pentode mode just makes things loud. I've paralleled the 3S4 tubes, which is louder and a bit more distorted, but still not great. My idea has been to use one tube for distortion and the other to amplify the output. I'm thinking that I would have to maybe have two B+ supplies: one 9V, one 27 or 36V. I could starve the plate of the first tube to get a ton of distortion (B+: 9V, with a 500R or 1K cathode bias resistor), then take the plate of that tube into the grid of the next. Question is, would this really work? An earlier experiment to use the two tubes as separate gain stages didn't work well - I basically used a .1uF cap to couple the stages, but didn't get much sound. Any ideas here? Or should I maybe look into a 1T4 sharp-cutoff pentode as my first stage and the 3S4 as a second? Another option would be to wire up a phase splitter and use the 3S4 tubes in a push-pull arrangement to get lots of odd-order harmonics.....but I have no idea where I would stick a third tube for a concertina or similar.
This has been a fun experiment with the Quickie. If I can get this to work, the Quickie will end up on my desk as a guitar headphone amp/preamp.