My eF and eM settings are significantly quieter than flat. I haven't found that the feedback is as versatile as I thought it would be. The problem is that with my guitar's volume high it'll overdrive the pre on E6, maybe A. But to get feedback on the crunch I have to turn it up into this range. The crunch is much stronger in the bass notes. Maybe this has something to do with my guitar, but I'm not convinced for sure. Perhaps putting in a 250k tone control will fix this a little bit. (volume is 250k, tone is 20k atm).
Yes a 15dB scoop will make the midband more quiet. It's a subtractive control, like most amp tone controls.
The amp's response is pretty flat on the flat setting, maybe a variation of +1 dB or so through the midband. So if the lower notes are distorting before the upper notes there is more energy in those notes coming into the amp. I would suggest adjusting your pickups - get the treble end closer to the strings, the bass end farther away. And try a few other guitars. Guitar setup is a whole nother complex subject, and tweaking it as well as amp setup seems to help get the best performance out of the guitar/amp system as a whole.
Bear in mind that just like audio any standards for output levels were thrown out by many manufacturers years ago. The Tode has more range of overdrive control than most two stage guitar amps because of the variable feedback. But there are limits to what can be compensated for in the amp. In some cases one might need more gain from a boost pedal ahead of the amp, for example if you are trying to get a lot of distortion from a lower output single coil pickup. My jazz box with a Johnny Smith style mini humbucker set well away from the strings can distort with some work, so it's right on the edge, about as far as the typical jazz player ever wants to go. My Strat with sort of low/medium output single coils will just get into some snarly bite with the feedback cranked down. A little more would be nice, but the vintage sounding pickups would sound different if wound for more output. My 335 with classic 57 humbuckers will go into really fat bluesy distortion easily. To get that metal full on distortion with unending sustain a boost pedal ahead of the amp works best.
It's interesting to me that a lot of the comments about the Tode's sound are by folks using acoustic electrics or homebrew experimenter setups or ukeleles or whatnot. I would like also to hear from someone who uses a LP or a 335 or Strat or Tele - something a little more typical. And also from folks who may have access to several different guitars. One thing I will say is that selling a guitar amp creates a nice excuse to get a new axe now and then...