Last night I modified the stock CRC filter in my Beepre to a CLCLC filter: 220uF -> 5H 105 DCR -> 220uF -> 1.5H 56 DCR -> 440uF. I made this change "just to see". Annotated photo and PSUD sims of stock and modified power supply attached. In simulation at least, the new combination matches the stock output voltage closely, reduces ripple to almost nothing, and adds a total of 440 uF of extra capacitance (which wasn't a goal - it just worked best this way in sims).
My BeePre was already modded before I made last night's change: (1) 1/2W 110R Vishay Dale grid stoppers on the 300Bs; and (2) the capacitance of the cathode resistor bypass caps has been increased from 10k uF to 32k uF (the big caps in the center of the amp are 22k uF 80 VDC caps - I've posted aobut this in a different thread).
I previously made a similar change to the power supply filter in my Kaiju - where I thought the CLCLC filter made an audible improvement, but only a very small one (in comparison with which using film caps as the last filter caps in the Kaiju produced a tiny and quite possibly imaginary change; and changing the lytic cathode resistor bypass cap to a film cap resulted in a much bigger improvement). So I wasn't expecting much if any of a change in adding a CLCLC filter to the Beepre, but the result surprised me: the BeePre sounds very noticeably better. it is at once more detailed and smoother, and with "energetic" music, it is faster - so much so that it sounds like I'm listening to a completely different performance of the same music -- just two examples: "Whipping post" by the Allman Brothers, and pretty much every song on Paul Simon's Graceland album. Whereas "speed" seems unaffected with other music -- e.g., Amber Rubarth's acoustic Sessions from the 17th Ward -- and all I hear is added detail and ease.
The above listening impressions are inconsistent with those of at least Aaron J (I will post a link to his impressions in a later edit), who IIRC replaced the stock CRC filter with a CLC filter (I think a 10H). I'm not sure what to make of this. My PSUD sims suggest that two LC filter stages, even with lower total inductance than one might have with a single stage, reduces ripple to a greater extent than a single stage. And perhaps the added capacitance plays a role. Or it's just my imagination - but I don't think so: the experience of listening to a piece of music with which I am very familiar and having it sound not just "better" but like a completely different performance suggests to me that the change is real. I had a similar experience with my first Stereomour II after adding the Shunt Reg upgrade. The sonic effects of the CLCLC change isn't of the same magnitude as the SR Stereomour upgrade, but it's in the same ballpark (to my ears). Now, this may seem crazy, since both the BeePre and Kaiju are already regulated out the wazoo. How can adding some PSRR further up the power supply chain make any difference when ripple is already reduced further down the chain to negligible levels? I dunno. Maybe it's just the added capacitance. Or maybe it still makes a difference. Regarding the latter possibility, I am reminded of some of PJ's comments on the AA forum (See my "Couple of Quotes ..." post in General Discussion some months ago) to the effect that he had been experimenting with stacking CCS and shunt reg isolation from the power supply and could hear a difference even when accepted engineering standards suggested that the changes would be inaudible.
Now for my reasons for titling this thread "CLCLC filters in Beepre and Kaiju": I suspect (but do not know) that part of what I am hearing is the result of the CLCLC change to the Kaiju, and that the changes to the power supplies in both BeePre and Kaiju are interrelated and additive. My hypothesis is that they are each part of one larger PSRR change. My thinking is as follows: if residual 120 Hz ripple in the BeePre adds some noise, that noise becomes part of the signal fed to the Kaiju and will get amplified, regardless of whether the Kaiju has a less-noisy CLCLC filter. In which case the CLCLC mod to the Kaiju may not seem to do much. But reducing the 120 Hz related noise in the BeepPre with a CLCLC filter allows one to hear the cumulative effect of both - anyway, that's my mostly uneducated guess about what might be happening here.
Some installation notes. The 1.5H chokes are only 1.5 inches wide, and so fit fairly easily alongside the pcb-covered power transformers. The 5H chokes, however, are 2 inches wide and 3.25 inches long. One fits diagonally near the IEC inlet, but to fit the other I had to remove one pair of the output jacks and one pair of the input jacks - so now I have 4 big holes at the rear of the chassis that I will probably cover with some mesh screen. So the aesthetics took a bit of hit - but I'm ok with that. Other may not be. But I think this could be avoided by mounting the chokes on a t-shaped bracket so that the chokes stand parallel to the chassis rather than perpendicular to it. Or maybe you could mount them on top of the chassis.
I should note, too, that in installing the chokes in both BeePre and Kaiju, I added a "flux band" to each choke. The band wraps around the outside of the choke in parallel with the direction of winding (so around both the winding, the EI core and the frame). The bands are three-layers: 30 gauge copper sheet, some EMI shielding foil called MCF5, and a very thin layer of copper foil tape around the two previous layers to hold them together. The band is wired to chassis ground. The MCF5 EMI foil is made by a German company that claims a -30dB attenuation of low frequency interference (IIRC this encompasses all frequencies in the audible bandwidth) and much greater attenuation of high frequency interference. I obviously cannot confirm this. I can post a link to the datasheet if anyone is interested (although it is easy to find with a google search).
Lastly: a product recommendation. In the photo you can see some clear thick tape wrapped around the big 22k uF Nichicon caps. It is silicone gel tape that you can find on Ama*zon and other online retailers. It has some very useful properties for affixing and separating parts in an amp: it is sticky and strong as hell, but can be peeled off (with effort - this stuff really grabs) without leaving any residue; it is electrically insulating; and presumably b/c of it's gel-like consistency adds some vibration damping. It is a bit difficult to cut, though. I recommend a strong and sharp pair of utility or kitchen shears.
cheers, Derek