Paramount as 2A3 compared to Monamour

Adrian · 687

0 Members and 1 Guest are viewing this topic.

Offline Adrian

  • Sr. Member
  • ****
    • Posts: 274
on: November 14, 2020, 04:32:03 AM
I have a pair of Paramount, 300B amps that sound just great.
I am itching to try a 2A3 amp and know I can convert the 300B circuit to use 2A3s.

I read in your product description for the Monamour that it will have a quieter noise floor than the Paramount, 2A3.
What other comparisons of note can be made between these amps?

(BTW, the product description for the Kaiju, 300B amp still has reference to the Paramount - see second paragraph in "In Depth" section.
I think this should be Kaihu instead.)

Adrian C.

VPI Prime w/Ortofon Quintet Black MC/Rothwell MCL Lundahl SUT/EROS/Submissive (3 output mod)/Mainline/Crack - Speedball/S.E.X. 2.1 - C4S/S.E.X. 3.0 - C4S/Paramounts - Blumenstein 2.2 Mini-Max w/DOF mod -Senn HD600/Viso HP50/Focal Elear.


Offline Paul Birkeland

  • Global Moderator
  • Hero Member
  • *****
    • Posts: 19369
Reply #1 on: November 14, 2020, 05:21:07 AM
The iron in the Monamour/Kiaju is a large improvement over the Paramount iron and the DC filament supply is considerably quieter, but otherwise they will be reasonably similar, especially if your Paramounts are running the 5670 driver tubes.  Overall I would expect that you would notice cleaner and deeper bass out of the Monamour with a fair bit of extra power available with the high current setting whereas the Paramount wired for 2A3 may have a slight edge in detail with the directly coupled driver. 

Paul "PB" Birkeland

Bottlehead Grunt & The Repro Man


Offline Adrian

  • Sr. Member
  • ****
    • Posts: 274
Reply #2 on: November 14, 2020, 11:35:54 AM
Thanks, PB.

Adrian C.

VPI Prime w/Ortofon Quintet Black MC/Rothwell MCL Lundahl SUT/EROS/Submissive (3 output mod)/Mainline/Crack - Speedball/S.E.X. 2.1 - C4S/S.E.X. 3.0 - C4S/Paramounts - Blumenstein 2.2 Mini-Max w/DOF mod -Senn HD600/Viso HP50/Focal Elear.


Offline johnsonad

  • Hero Member
  • *****
    • Posts: 1670
Reply #3 on: November 14, 2020, 12:58:31 PM
Just my two cents:
I own Paramounts, or rather a modified version of the circuit (though I had stock Paramounts), and had the older drivers and converted to the 5670 when I owned stock Paramounts.  I have a Kaiju also to compare to.  In the past there was a 2A3 Fi X and when compared to the Paramounts 2A3, the Fi was sold though I should have held onto it as a piece of art. 

If you're not having an issue with hum, and you're not using it as a headphone amp, you probably won't notice the lowered noise floor with the new amps.  I am using my Kaiju as a headphone amp because the noise floor is that low.  The new regulator is truly amazing and an improvement when appropriate. As PB stated, the bass is better in the new circuit due to the improved iron.  You can add the balanced output (I think this is the correct term?) to your current Paramounts.  DocB wrote about it in a thread years ago and it takes all of four resistors to do it.  This comes standard with the Kaiju.

2A3's should be tried but for me, it passed quickly.  The 300B is special and adds a little something you just can't get with 2A3's. DocB called it Technicolor and I agree with that, it's close to magic and makes listening to music more enjoyable for me. 

Try 2A3's and 45's and 71A's.  All of these are different and everyone has their favorite flavor.  I personally don't care for 2A3's or 45's.  My system is 300B's and 71A's.  It's an easy swap on your Paramounts to convert to 2A3's.  If you like the 2A3's, then the Monamour will be an improvement over your Paramounts in the way PB described. 

Plus, new amps just make you happy and who doesn't want to be happy :)

Aaron Johnson