Reply #2 on: June 18, 2023, 03:14:15 PM
At first listen I could tell a difference to my extended Foreplay3 but was not sure in what way exactly. The sound stage was different and the tonality for sure. Treble sounded much more extended and kind of hard. I decided to let it burn in for a good week, playing a CD on repeat over night with the main amp off.
Over the weekend I finally had some time to sit down and listen. I put on Herbie Hancock The Prisoner on vinyl while I was cooking to warm up the system. That album never stood out to me and I kind of filed it away in my 'need to listen again with more time and patience' category. The kitchen opens up to the living room where the system plays and I noticed that I was drawn into the piece that was playing. I had an easy time following the instruments and eventually I had this thought: I finally understand this album a little better. This in itself is a huge compliment I think. The music sounded so good and alive, instruments were realistic and in the room and nothing annoyed me. Some jazz can annoy me when it just runs in the background but this time it did not at all. The way the instruments played off each other and worked alone and then together again was another thing I had not noticed before in this way.
I am very curious how this will develop with more time and eventually the upgrades.
I have some ODAM caps on the way which will be my first upgrade.
Thanks Bottlehead for coming up with such great sounding gear, truly unique.
« Last Edit: June 18, 2023, 03:15:56 PM by sl-15 »
Stefan Hampel
Soundsmith Carmen, modded Technics SL-1200mkII, Thorens TD 125 mk2 with SME V, Eros, Extended Foreplay III, BeePre2, Crack, Pioneer Spec 4, Sonus Faber Electa