I am not convince that this is a good idea... I remember going to a seminar a few months ago that talked about the "cavitation" effect in solvent micro-environments where tremendous heat and pressure are generated in solution from the collapse of tiny air pockets in the presence of ultrasonic waves.
This article explains the phenomenon in detail, and states the temperatures in these micro-environments can reach 5000 K and generate 500 atm of pressure... I would think this would be pretty hard on the surface of your vinyl.
http://www.google.com/url?sa=t&rct=j&q=&esrc=s&frm=1&source=web&cd=1&cad=rja&ved=0CC4QFjAA&url=http%3A%2F%2Fwww.springer.com%2Fcda%2Fcontent%2Fdocument%2Fcda_downloaddocument%2F9789400755321-c2.pdf%3FSGWID%3D0-0-45-1355489-p174602938&ei=XiBDUvfLF_KA2QW4y4DYCA&usg=AFQjCNGybeSKIv_CqvpkTu86V8JuQfcCCwlooked into it some more, here is an interesting thread on vinyl wear at vinylengine
http://www.vinylengine.com/turntable_forum/viewtopic.php?p=79690from one of the posts
- 10. Bastiaans, Factors effecting the stylus/groove relationship in
phonograph playback systems, J. of Audio Eng. Soc. 1967, p.389
Yield point of record plastics = 14,500 psi. He refers to older papers
saying that in the stylus/groove contact, sub surface yielding begins near a load of 0.150 gr and plastic yielding at 1 1.6 gr (for a 17.8 mil tip). Microscopic examination of a groove played with 2 gr VTF revealed a slight permanent indentation track on both groove walls.
- All styli present pressures of 30.000 to 69.000 psi with a VTF of 1 gr.
These high pressures have led people to assume that plastic or permanent deformation occurs, the yield point of the vinyl being 14.500 psi. Static indentations in the elastic range can be described by the equation of Hertz.
It appears that no solution exists for the plastic range, especially for
sliding indentation with friction.
...not sure what to think now. maybe it wouldn't be any worse than just playing the record.