I have spent much of the past 48 hours rolling tubes.
Output tube
Have tried the following:
1. Chatham 5998
2. Bendix 6080WB graphite
3. WE 421A
My favourite is the 421A and least favourite the Bendix
Driver tube
1. Mazda CIFTE 12AU7 1962
2. Brimar CV491 1971
3. Valvo ECC82
4. Tung Sol 12AU7A (1959 from memory) - Laddered grey plate
5. Telefunken ECC82 laddered grey plate
6. RCA 12AU7A clear top
7. Mullard ECC82 1962
8. Siemens laddered grey long plate
I can't hear a difference between the driver tubes, other than something very subtle, that is probably my imagination.
What's going on? I can think of a few options:
1. My ears are too "unlearned" to hear a difference - I would be surprised if this is the case as I have tube in the Lyr before and was able to hear a vast difference in such aspects as balance, clarity and sound stage as a result of rolling.
2. The way I have modified my Crack removes any effect from rolling driver tube - I don't know enough about circuit design to determine with this is correct or not. For what it's worth, i have the Speedball installed, Have 100 uF ES Clarity caps bypassed with 10 uF Mundorf Supreme as output caps, have replaced the final power cap with a 220 uF TC Clarity cap and have an Alps blue pot.
3. There is no difference in sound in this family of tubes in the Crack and the tube marketers have brainwashed us all
4. I didn't give the tubes enough time to burn in (which would suggest that in their embryonic state, all of the driver tubes sound the same until having reached adolescence)
Can someone please help? Do I persevere? Do I sell all my expensive driver tubes and keep a couple of RCA cleartops? Do i try other families? BTW - The amp sounds equally terrific with the various drivers.
FWIW - My tube rolling playlist consisted of Bach (portion of St Matthew Passion), Bjork, Mahler (portion of Kindertoten Lieder), Sarah McLachlan, Dire Straits, Rage Against the Machine and William Cornysh sung by the Tallis scholars (early sixteenth century sacred choral music).
Cheers!